This is an annotation for a paper I am currently writing on Martha Meredith Read’s Margaretta. See my prospectus here.
Armstrong, Nancy and Leonard Tennenhouse. “The Problem of Population and the Form of the American Novel.” American Literary History 20:4 (Winter 2008): 667-685. Print.
In this article Armstrong and Tennenhouse argue that “novels written during the period of the early republic” resemble Barbary captivity narratives in that they “imagine a community in cosmopolitan terms” (668). The authors suggest that by examining these captivity narratives, it becomes possible to recognize how early American texts resist definition or interpretation from within a strict national framework. For instance, works such as Royall Tyler’s The Algerine Captive challenge “fixed national identities” and boundaries by ushering characters into a space of captivity in which “people… are defined, not so much by their nation of origin, or home, as by their encounters in a world produced by the circulation of goods and peoples” (672). In Armstrong and Tennenhouse’s perspective, this interaction within a cosmopolitan community, where individuals establish “kinship by trading women, goods, and information across the Atlantic world” becomes the quintessential feature of early American novels (674). The two also extend their argument further by considering the “problem of population… namely, the problem of containing the larger category of universal humanity within the smaller category of the nation” (676). In doing so, they discuss the evolution of the Barbary captivity narrative and its role in transforming the American novel into its “domestic” or “‘national’ form” (679). Ultimately, Armstrong and Tennenhouse’s analysis of the Barbary captivity narratives presents an intriguing framework for analyzing Margaretta’s period of confinement with Roulant’s mansion and, more broadly, Read’s attempt to address the “problem of population” through the structure and form of her novel.